Born in Massachusetts in 1895, Fuller set out to live his life as (in his own words) “an experiment to find what a single individual can contribute to changing the world and benefiting all humanity.” After making up the world “Dymaxion” as a combination of the words “dynamic,” “maximum” and “ion,” he took the word as his own personal brand. Among his groundbreaking creations were the geodesic dome and the Dymaxion house, which was made of lightweight aluminum and could be shipped by air and assembled on site.
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In 1927, Fuller first sketched the Dymaxion car under the name “4D transport.” Part aircraft, part automobile, it had wings that inflated. Five years later, Fuller asked his friend, the sculptor Isamu Noguchi, to make more sketches of the car. The result was an elongated teardrop design, with a rear third wheel that lifted off the ground and a tail fin. Fuller set up production of the Dymaxion car in a former Locomobile factory in Bridgeport in March 1933. The first model rolled out of the Bridgeport factory on July 12, 1933–Fuller’s 38th birthday. It had a steel chassis (or frame) and a body made of ash wood, covered with an aluminum skin and topped with a painted canvas roof. It was designed to be able to reach a speed of 120 miles per hour and average 28 miles per gallon of gasoline.
Sold to Gulf Oil, the Dymaxion car went on display at the Century of Progress exposition in Chicago. That October, however, the professional driver Francis Turner was killed after the Dymaxion car turned over during a demonstration. An investigation cleared Dymaxion of responsibility, but investors became scarce, despite the enthusiasm of the press and of celebrities such as the novelist H.G. Wells and the painter Diego Rivera.
Along with the Nazi-built KdF-wagen (the forerunner of the Volkswagen Beetle), the Dymaxion was one of several futuristic, rear-engined cars developed during the 1930s. Though it was never mass-produced, the Dymaxion helped lead to public acceptance of new streamlined passenger cars, such as the 1936 Lincoln Zephyr. In 2008, the only surviving Dymaxion was featured in an exhibit dedicated to Fuller’s work at the Whitney Museum of American Art in New York City. An article published in The New York Times about the exhibit recalled Fuller’s own impressions of the Dymaxion: “I knew everyone would call it a car,” he told the literary critic Hugh Kenner in the 1960s; instead, it was actually “the land-taxiing phase of a wingless, twin orientable jet stilts flying device.”